Sunday 30 September 2018

Nottingham Comic Con - What to Look For! Part 1.




Nottingham Comic Convention is heading our way fast!


Now in I t’s a one day event being held on Saturday the 20th of October at The Nottingham Conference Centre, Nottingham, NG1 4BU.


You can find tickets here http://www.nottinghamcomiccon.co.uk/tickets/


I’m going to be posting about it over the next few weeks. Here is a ‘Part 1’ of what to look out for there.





This is one of the best events of the year and I’ll be there with my Awesome Comics Pod brothers Vince and Dan. We’ll have issue 3 of the Awesome Comics anthology for sale there and as of 10am this will be the first time you’ll be able to get your hands on it.


You can order it from this link if you aren’t attending and catch up on issues 1 and 2. We’ll also have some special offers on prints that go along with the series, Watch this space.


https://awesomecomicpod.bigcartel.com


Nottingham has turned into the sort of comics event that I always reserve the date early. This year,once again, has some cracking guests.





First up is Luke Pearson, the man behind Hilda. A long running comic series out of Flying Eye books (aka Nobrow’s children’s imprint) this is also now a highly successful Netflix tv series. I’ve been ranting about how great this series is for years. It is a wonderful oasis from the daily grind that the kids will also (maybe) get a look at. 


Find Luke’s books at https://flyingeyebooks.com/creator/luke-pearson-2/





What about some hardcore action adventure? Marc Laming has been drawing the kind of comics that make you miss your tube stop for years now. A regular on The Avengers, The X-Men, Flash Gordon, Star Wars, Planet of the Apes and his new series for Dynamite Comics with James Bond!


This is the sort of guy who can run circles round the other artists out there! Find more about him at http://monkeymarc.blogspot.com/






Who are the power couple in UK Comics I hear you ask? For my money it’s Laura Trinder and Chris Wildgoose. Each of them have produced some of the most amazingly beautiful comics of the last ten years. 


Why not come to their table and have a taste!



You can find Laura at http://www.lauratrinder.co.uk/






And you can find Chris at http://christianwildgoose.blogspot.com/


So.... who else?





How about an Eisner winner? Oh go on then. Hamish Steele is the creator of numerous comics but is perhaps best known for Deadendia and Pantheon from Nobrow. I’ll be road tripping up to Nottingham with this talented fella. Come to his table for some sketches, signed books and good old fashioned chat.


https://www.hamishsteele.co.uk/


One more?





THE ETHERINGTON BROTHERS. Literally the most enthusiastic people in comics. Chatting to them for five minutes will push you on creatively and that is a solid gold promise. I cannot stress how much you need to look at their books. Both brothers are favs of ours on the podcast. So if you are looking for some help on making your own comic or just reading some great series....these are your guys!


Go to their website now and get excited! http://theetheringtonbrothers.blogspot.com/



Those busy people at Nottingham Comic Con also have a Kickstarter that will be running for a couple more days. Every year they produce a comic that helps raise money for some great charities. I’ve done a four pager with the mighty Dave Broughton so get over now and pledge!



It has this ace cover by my comics brother Nick Prolix!



https://www.kickstarter.com/projects/1478064521/nottingham-comic-con-comic-anthology-inter-space




Many thanks for reading.



Thursday 27 September 2018

In Preview - ‘Dead Singers: Volume 4’ from Good Comics.


Dead Singers: Volume 4.


Edited by Paddy Johnson and Samuel C. Williams.


Published by Good Comics.


The idea is fairly simple. This is an anthology series that deals only in the dead variety of singers. That’s something of a niche market but one that has been pursued by many creators over the four issues of this comic. I have enjoyed each and every volume as it has come out from those enthusiastically cool folks at Good Comics.


This is what they have to say about this new release:


The fourth and final (and by far biggest!) issue of our flagship anthology Dead Singers Society is here. Features over twenty artists and writers talking about their favourite Dead Singers, including Scott Hutchison, Gord Downie, Chester Bennington, Eartha Kitt, Dusty Springfield, Dolores O'Riordan and many more!’


However.....as I read the introduction I learn that this is the final issue! Say it ain’t so!? Don’t leave me this way? Go now? (OK, I admit that last one was a bit of a stretch).


But those gentlemen at Good Comics were kind enough to send me an early copy. So I’ll happily forgive them.


Listen, its an anthology. Not everything lands for each and every reader but this has more hits than flops! (I really need to stop). The cover isn’t as strong as I would have expected from this firm. I see what they are doing with it but it seems a tiny bit under rendered and on the nose? Maybe that’s just me. It does however communicate the content and in a way harks back to the punk fanzines from the last century. This will be getting a release at the Bristol Comics and Zine Fair on the 6th of October. Then it’ll be available from the web shop from the 8th (see link below).


So I thought that I would name a few of my favourites. In no particular order here are a few that really caught my eye.


PS I swear quite a lot in this piece....it is rock and roll for fucks sake, deal with it!






‘Warren Zevon’ by Ethan Edward.

This one is particularly impactful for a number of reasons. The first being the fact that I am sat in Soho reading this comic and the song that springs up in the Zevon section is Werewolves of London’. I’ve also been racing through his back catalogue on the commute recently and loving the lyrics. This is a single image one pager that could easily be a 1978 7” cover. It uses two punchy examples of Zevon’s lyrics, makes a point and leaves. I suppose that in itself is a spot on sentiment. (Cough, this would make a great print, cough).


Ethan can be found at www.ethanedward.weebly.com





Chrissy Amphlett’ by Frank Candiloro.

This is a short story that has so much energy you can feel the floor jumping as the guitars kick in! The art is nutty, square and rectangular, solidly inked punky madness. The clashing of the black and white sets up a solid chord strike on the page. Gloriously a 1980s punk fanzine of a strip. I’ll be on the look out for this creator in the future.


Frank can be found at www.gumroad.com/frankencomics 




Marissa Veres’ by Conan Fiori-McPhee.

This looks like a Peter Bagge strip crossed with some of the best of Viz (just with less ejaculate!) and in my eyes there can be no higher compliment. This is also colourfully cool period specific post flower power comics. This could easily have come from the inside of a gatefold cover from a blues rock band of the mid seventies. I want a whole comic like this - now, let’s Go!


Conan can be found at www.catsmeat.com





Captain Beefheart’ by Gareth Hopkins.

This is another one pager. It is powerful, edgy, vibrant and striking. It has a teeth grinding amphetamine angle to it but also seemingly at the same time explores the lysergic side of the musical world. It is in your face with intelligence and experimental confidence, much like the music itself. Fucking bravo!


Gareth can be found at www.grthink.com 





G. G. Allin’ by John Tucker.

If there was ever a singer who was both dead and suited to the storytelling skills of Mr Tucker this is the one. John tells a brilliantly hilarious story of the poop obsessed shouter’s attempts to read poetry to his audience. They demand more poo! (It doesn’t end well, but then again the stories in this comic aren’t really meant to?)


Find John Tucker storing downstairs items at his website http://www.johntucker.co.uk/


One more.....?


Oh go on.





2Pac’ by Miguel Peres and Tainan Rocha.

I have to admit to knowing fuck all about the man, his music or his demise but this first page wants me to shit the bed and get my head into some of his lyrics. This is like Sienkiewicz had a baby with Tom Scioli and Jim Mahfouz and decided to draw/paint a rap song. The words and images combine to make a ruddy beautiful page. To coin a more London friendly 420 phrase ‘I want what he’s smoking!’


Find Miguel Peres at www.miguelperres.myportfolio.com and Tainan Rocha at www.tainanrochailustracao.tumblr.com


Oh, and this by Jamie Howard is fucking spectacular! (Find Jamie at www.themookscomics.tumblr.com )





This is a great showcase of an anthology. I could easily head off now and pick up comics by many of those involved here. It’s a real shame to see it stop but sometimes it’s better to get off at the top. (The Only Way is Up?) I’m now wondering what the next subject area will be all about? For future releases? I have a few suggestions for those Good Comics industry bigwigs.


Movie stars with a Safari-suit obsession? 


Elderly ladies in 1980s Detective tv series? (‘Murder She Drew’?)


The later movies of Eddie Murphy? (‘Murphy The Wilderness Years’ or ‘Desperate Spice’?).


‘Tiswas vs Swap Shop? (‘Only Communists Liked Tiswas’).


1990s confectionary and UK indie movies? (‘Curly, Hurly, Burly’? ‘Kes nicked my Star Bar’?)


The Carry On Movie series vs On The Buses.


The Singles of Go West?


I’m now off to listen to some 2pac on Spotify (I’m so down with the kids!)




Find Good Comics at http://goodshop.bigcartel.com/product/pre-order-dead-singers-society-iv You can also find them on Twitter @Good_Comics


Many thanks for reading and ‘Just Go’!



Tuesday 25 September 2018

In Review - ‘A Place for Birds’ by Robbie Cathro




A Place For Birds.


Created by Robbie Cathro.


Black and White - 20 pages.


A5 - £6.00.


The Story - ‘The artist waits each year for the birds to pass over her home during their migration’.


What will come from their visit?





The Review - I met Robbie last weekend. He was actually at a table opposite mine at Thoughtbubble. The weekend was a busy rush of people and comics and we grabbed a couple of moments to chat. He kindly gave me this comic during one of those conversations. I read it this morning over the morning coffee and found a little moment of peace. And for that I thank him.


Let’s start with the cover shall we? It is a fluid like sketch on a white card background. It shows a castle from afar. The castle sits in the countryside. The battlements are overgrown by bushes and tress. It sits there alone and solitary as two egrets approach from each side of the page. Their beaks point towards this structure. It is a minimal and ethereal image that reflects the mood and style of the rest of the book. It has a gentle style that drew me in immediately.


As the story opens inside we see a woman sat on this structure. She has a stoic ladylike aloofness to her arched back poise and beehive coifed hair style. She wears golden hanging earrings and has strange otherworldly markings on her forehead. She sits and waits and watches the horizon for the birds to arrive.


A CAW on the horizon is the beginning....’


As the eye of the reader scans the page you notice bird boxes and feeder tables that she has prepared for their arrival. You realise that this is a moment that she prepares for all year long, it is the point in many ways of her life. This is a genuinely interesting and original way to guide a story that Robbie has achieved here in this short comic.





Then the storm, the flock, the flurry, the charge of the birds arrive. All manner of shapes and sizes, egrets, sparrows, crows and others swarm the castle. The woman opens her sketchbook and draws them and the reader is invited in to watch this art grow and the notations of what each species is all about. The woman is the narrator and tells us little short stories about her visitors. But this goes beyond an observation this is contact and communication. I’ll let you read the later pages and see what you think.


I’m going to hazard a guess that Robbie has great fondness for our feathered friends. In the book he describes each species as a personality with a background based on folktales and science and he draws them with a real sense of personality.


This book is a visual poem in a lightly sketched style. It reaches out and touches the reader and grants them a few minutes of tranquility.


Grab a copy and make you day all the better for it.


You can find aa copy at http://www.robbiecathro.com/shop/a-place-for-birds or follow the creator on Twitter @RobbieCathro


Many thanks for reading.

Friday 21 September 2018

In Preview - ‘Kingdom’ from Jon McNaught


Kingdom.


Created by Jon McNaught.

Hardback - 128 pages - £16.99.


Published by Nobrow.


The Story - ‘Jon McNaught returns with another beautiful comic that makes the ordinary, extraordinary. A family sets off for a long weekend at a caravan park on the British coast. We follow them through the familiar landscapes of a summer holiday: motorway service stations, windswept cliffs, dilapidated museums and tourist giftshops. In this atmospheric and contemplative work, Jon McNaught explores the rhythms of nature, the passing of time, and the beauty and boredom of a summer holiday.’


The Review 


Have we all felt this way?


Have we all been in these moments?


A family on holiday in a seaside town. They make the most of their time. The mum drags the kids around museums and seaside tourist spots. The son loses himself in the coastline and at moments alone or with people he sees, eavesdrops on or meets. It is a little sad, profoundly quiet, a lot familiar and an awful lot impressive.


Nobrow and Jon McNaught do this so well. They capture a moment, a feeling, a place, a face, a time so brilliantly well in their books. Genuinely without hyperbole this is one of the best things I have read over the last twelve months. Insightful, sensitive, hypnotic and gloriously a comic.


I remember as a kid on this exact same holiday. Of course, I’m far too old to remember being frustrated looking for a phone signal whilst wandering over rock pools or up hills but the feeling this book projects gave me shivers nonetheless. Another world at the end of the motorway. As the rain comes down you hear it on the roof of their caravan and the following morning as the daughter wades lonely through the deep puddles you can feel the air as it clears as the day begins anew.


‘...we spend our lives searching for a magic door and a lost kingdom of peace.’ - Eugene O’Neill.


As a kid I’d head on holiday with my parents. Long and almost endless journeys down the side roads and highways of England sitting in the back of my parents’ estate car with just a comic for company and looking forward to the next wee break. The breaks on the trip for a fizzy drink and maybe a toy if you were lucky are described perfectly here by McNaught.


I have to admit that I was totally entranced by the beautiful art and the melancholic and never overly sentimental story. It is a book of realistically few words but some complicated emotions are displayed slowly over a period of days. The frustration of the journey, the family dynamic, the saving money, the bickering. I also have to admit that I found this an emotional read. It speaks to the loneliness of people on levels you rarely see in comics. Slowly building that picture of three members of a family with such realism it’ll bring a lump to your throat.






The mother and the son and daughter come across as totally real and you understand their lives from this little emotional Polaroid photo album of a graphic novel. The slow pace is never a problem, rather it is a strength. With at moments up to thirty-five panels on a page the progression of movement and story only exemplifies the feelings projected up to the reader from the deeply carved pages. Then you see a landscape or a sea or a long lamp lit road as a splash page. ‘This is now, this is here!’ We know these moments all too well.


As I stare at the art on show here I am at once instantly in love with the craftsmanship and totally confused at how this level of accomplishment is created. The pages have a linocut look to them but are more measured, never clinical but with none of the Lino cut trademarked double edges and accidental overlapping. The lights on the motorway give away the shapes of maybe a knife that carves them but the water and sea and reflective rain puddles are far more detailed. It is absolutely breathtaking!


This 128 page hardback will be available for the first time at Table 28 in the Victoria Hall. Come past whilst stocks last.






If you can’t get to Thoughtbubble this year then order your copy online here https://nobrow.net/shop/kingdom/?


The Creator


Jon McNaught graduated from the University of the West of England in 2007 with a degree in illustration. He now lives in Bristol where he works as a print maker and a freelance illustrator. He has contributed stories and art to Nobrow, Art Review and Stripburger.


You can find more about his art at http://www.jonmcnaught.co.uk/ and follow him on Twitter @Jon_McN



Many thanks for reading.



Sunday 9 September 2018

Hilda!!!

If you’ve been listening recently you’ll know that I’ll be running the Nobrow table at Thoughtbubble in Leeds this year. We’ll be situated at Table 28 in the grand Victoria Hall.






My first full outing for this company coincides with their first television outing of that adventurous kid Hilda on Netflix. For anyone who went to the East London Comic and Art Festival last June or has been to the screening events Flying Eye, Netflix and Nobrow have been running will know one thousand percent that this is a great cartoon that will capture you and sweep you along with a big grin.


Created with total love and skill by Luke Pearson this is a story of Hilda and her dog Twig. They live in a country full of supernatural and often dangerous creatures. But Hilda doesn’t mind, she loves to run and scramble and explore her world. There’s seemingly nothing that this young girl cant take in her stride. You marvel at her enthusiasm and fearless escapades. You also worry for her, will she come out the other side unscathed?


Not only will your kids love this series but you will too. It is a comic (and now a cartoon series) that has melted the heart of even this grumpy old comic fan. A total solution to all the toxic troubles of the modern world. This is pure and fun and totally extraordinary.


This cartoon magically translates all the hallmarks of the comic onto the screen. It is due to launch in the days before Thoughtbubble (22nd - 23rd September) and I fully expect there to be a dash to our table to get the books. So I thought it might be handy to have a list of what you’ll need. 


Here’s the running order.






Hildafolk - now released as Hilda and the Troll.





Hilda and the Midnight Giant.





Hilda and the Bird Parade.





Hilda and the Black Hound.





Hilda and the Stone Forest.


Just because we love Thoughtbubble we’ll be selling the graphic novel series at £7 each rather than the usual price of £7.99. 


But believe me when I say that you need to get in early. I’ll also be taking preorders for the Con attendees so let me know at Tony.awesomecomicspod@gmail.com or find me and DM me on Twitter @Ezohyez






Addicted yet? Then you might want to try this newly released novel that ties into the comic series and the new Netflix cartoon.


Hilda an the Hidden People is written by Stephen Davies using the ideas, tone, fun and characters of the original series and is well worth £9.99.


Here’s what the Nobrow site says about this new release.


‘Based on Luke Pearson’s award-winning Hildafolk graphic novels, the magical and mysterious world of Hilda continues in a new fiction series written by Stephen Davies. Catch the new Hilda series, coming soon to Netflix!

Join our beloved heroine as she encounters her very first troll, negotiates peace with some very persnickety elves, and reunites two lovelorn ancient giants. Fantastic creatures and daring adventures are all just part of another average day for Hilda… but what will she do if she is forced to move to Trolberg city, far away from her beloved valley home?’


Head over to www.nobrow.net to find out more or follow us on Twitter @NobrowPress or @FlyingEyeBooks


You can find out more about Luke at https://lukepearson.com/ and follow him on twitter @thatlukeperson


You can find out more about the new cartoon series at http://www.hildatheseries.com/


Many thanks for reading.


See you there!

Saturday 8 September 2018

A Preview of ‘Adrift’ by John Tucker.




Adrift.


Created by John Tucker.


40 pages - Black and White - £2.


(Launching at Thoughtbubble Festival this month).



The General Idea - This is a world exactly like ours. Full of motorways and people and forks.


One day gravity decided that it wanted to just up and go. Suddenly and without any kind of warning it just left the Earth.


At first the occupants of the Earth liked the effect of floating around. It was a novelty. Just like that first day of snow where we can stay at home and play with it. Later though, it might, maybe, become a pain in your neck, and/or possibly a little dangerous.


That’s what it’s like when gravity goes away. How will the human race cope? How would you cope? Will we adapt or will everything go to hell?


That’s what John Tucker posits in this new illustrated tale.


What is for sure is that there are a whole load of naked and old and fat people having sex right there in front of you!


Don’t go gravity? Please.....






What I thought (as if you aren’t already hooked!).


“The Guide says there is an art to flying", said Ford, "or rather a knack. The knack lies in learning how to throw yourself at the ground and miss.”


Douglas Adams, Life, the Universe and Everything


I’ve always loved the every day simple yet funny nature of that quote. It came back to me after reading the new book from John Tucker.


This has a wry and sarcastic wink at you as you read through it’s pages. It is fun, telling and at one moment just a little bit touching. From page one when that fork with a life of it’s own floats past the reader I knew this was something I would enjoy. It is not done in a traditional comics style but rather a series of full page images that face a page of commentary, comments and text. It’s an interesting and very readable style. It is a short read but really entertaining.


It takes all the cynicism of the depressing things like The Walking Dead and The Road and shows that as changes come that are considered catastrophic we can find a little humour and just possibly some light at the end of the tunnel. It is written with that idiosyncratic humour that is recognisably a Tucker creation. A little bawdy, a little strange and a whole lot funny.






I heartily recommend anything by this creator.


This will be getting a release at Thoughtbubble this year and you can find John and all of his art and comics in the ComiXology Marquee at table 120B. You can find him online at www.johntucker.co.uk on Twitter @JohnTuckerArt and on Instagram @JohnTucker


Many thanks for reading.


And PS. The Review copy came with this comment that made me laugh loudly in Cafe Nero.


‘Please don’t cross my name out and release it as your own. Thanks.’